I am an unreliable narrator. When I saddle up behind a keyboard, a thick, viscous haze comes over my vision. Part poet, part bad faith. Myopia is romantic. Writing elevates the mundane and cosplays as profound, but truth is annoyingly complicated. And it makes for poor short form essays. What works is to hyperfixate on one aspect of a situation and call it a day. A microscope pointed a single side of rolling die. Is memory inherently violent and reductive? And what is writing but codified memory.
This has already started way up its own ass. Nick, I know you never got to write a thesis, so let’s step down from the ivory tower of academia and be a goddamn person. I get weepy and nostalgic for my youth. And yet! I was profoundly unhappy and made the people around me miserable. I was a selfish, brooding little shit. You’d never know it from my writing. Okay, you could probably put that together. My point is that it the process of ironing out a memory practically necessitates reduction. Returning to the die analogy, writing is like taking a six-sided die, and declaring truth is what you see from the bird’s eye view: The truth is 6. It’s tempting to say this is merely an argument for subjectivity, but it’s deeper than that. The bird’s eye 6 isn’t a surrogate for my personal vantage point. All six sides are my point of view.
I reread my most recent post, Young Lions, and it skips over the part where competing nearly gives me panic attacks, GCing a machine is low-level compulsion offering more relief than joy, and omits twenty years of rage tilting. This is the 1 hiding under the face up 6. Had it caught me in a time when I was in shit-talking Reno mood, I might mention that I’ve never hit the right ramp on Medieval Madness because the location flippers were garbage. That pinball fostered a fierce and often unhealthy competition between my friends. There’s four more sides to just my story. Memory, and the writing which emanates from it, it is a full-throated attempt at a fundamentally incomplete transparency.
So is memory violent and reductive? Yes. But that’s okay. We don’t blame a flashlight for only illuminating part of a room. Stick around long enough, and maybe we’ll both get a better idea of what this room looks like. As long as we remember you can’t roll a 7, I’m okay with it. It’s a piece of truth. Memories are truth distilled through the filter of desire. There is no Platonic sun illuminating every corner of our world. Light casts shadows which makes some things harder to see.
The first decade of this project was filled with wide-eyed optimism and creative fervor. The second is a reckoning with everydayness; pointing the flashlight at shadows. Paradoxically, it’s getting a little dark. Will the third be a yearning for the halcyon days of yore, or a warm embrace of adulthood? Tune in next decade for Nick’s performative journal of amateur philosophy and navel gazing: a show and tell.
We thank you kindly.